Laneth Sffarlenn
Aussie Voice Over Artist & Actor
Quick info about Neth:
Non-Binary (They/He) • Melbourne, Australia (UTC+10)
Global Remote Human Talent with Broadcast-Quality Home Studio
I do not consent for my voice to have anything to do with gen-ai.
Voice Demos available for review & download just below.
Remote voiceover session bookings:
My Voiceover Demos
Commercial
Produced in late-2019 by Andy Wells — Voices of Tomorrow
- MP3 (0:58) – (192kbps, Short version cut down by Neth.)
- MP3 (1:55) – (192kbps, Full original demo.)
Video Game
Produced in 2024 by Tony Wijs — Immersed Productions
- MP3 (1:22) (320kbps) — WAV (1:22) (48kHz, 24-bit)
- MP3 (1:54) (320kbps) — WAV (1:54) (48kHz, 24-bit)
My Signal Chain & Studio Details
My Primary Signal Chain
Microphone
RØDE NT1-A
- RØDE NTG5 (shotgun)
- Blue Yeti
- Zoom H4n
- Korg CM-300
Interface
Zoom F3
- Universal Audio Volt 1
- Focusrite Scarlett 2i2
- RØDECaster Pro (Gen 1)
Primary DAW
REAPER
- Pro Tools Studio *
- Adobe Audition
- Audacity
* on request
Headphones
beyerdynamic DT770 Pro 80 Ω
Studio Monitors
PreSonus Eris E3.5 2nd Gen
- Source-Connect 4.1
- Source-Nexus Suite
- Meeting Software (Zoom, Google Meet, Discord, other on request)
- DaVinci Resolve
- OBS Studio
Home Studio Samples
The below audio samples are exactly the same and was recorded at approx. 1pm AEDT on 15th March 2026.
Raw Studio Audio Sample
My typical daytime noise floor sits around -60 dB, and this can drop to as low as around -75 dB depending on whether local bird life & weather plays nicely.
An MP3 copy is available, but WAV is better.
Basic Clean Up FX Chain Sample
Basic clean up FX plugin chain designed to roll off low end ‘junk’ frequencies, removing excessive mouth clicks, and lowering the noise floor down further to around -80 dB.
An MP3 copy is available, but WAV is better.
Full FX Chain Sample
Building on the Clean Up chain, this “full” FX chain makes use of layered compressors, a de-esser, and a limiter. Probably best used for commercial applications, but can be easily tweaked if need be.
An MP3 copy is available, but WAV is better.
Photo & Other Studio Info
Booth Details:
- Constructed with 12mm Ecoply
- Rear wall Height = 1,800 mm
Door / Front Height = 2,300 mm (angled ceiling - Rear Width = 1,000 mm
Front Width = 1,200 mm - Walls / Ceiling lined with double-layered removalist’s blankets and dual-layered black polar fleece fabric.
- Acoustic foam is the Purple D36-DST Roominator Kit from Auralex.
- Bass traps will be replaced with better ones once they can be afforded lol
- Custom shelf fitted atop heavy duty copy stand.
- ASUS VE248HR 27″ rear monitor + ARZOPA 16.1″ portable HDMI monitor
- Logitech c922 Pro Webcam
- Wired, quiet keyboard & Logitech MX Master 3S mouse.
- Stream Deck (original 5 x 3 model)
Details:
- Bank of 4 x ASUS VC279H 27″ monitors
- Stream Deck (original 5 x 3 model)
- Logitech MX Ergo S mouse & generic quiet HP keyboard
- Logitech c922 Pro Webcam
- Presonus Eris E3.5 2nd Gen 3.5″ Active Media Reference Monitors (coming soon)
Main PC Specs:
- Processor: AMD Ryzen 9 3900X
- GPU: ASUS RoG Strix GeForce GTX 1080ti 11 GB
- RAM: 2 x Klevv KD4AGU880-36A180U BOLT X Gaming 32 GB (2 x 16 GB) 3600 MHz DDR4
- Case, Power Supply, Fans, and CPU Cooler: all be quiet! brand
VST Plugin Chain Details
- Reductive EQ
- High Pass Filter @ 60 Hz;
- plus several resonant frequencies notched out.
- using Infinity EQ 2 from Slate Digital.
- High Pass Filter @ 60 Hz;
- Basic de-click (as required)
- Noise Floor reduction & clean up
- Subtle upward expansion & downward compression to establish a louder presence
- using MV2 from Waves.
- Subtle excitment of the mid and high frequency content, to balance my lower register
- Medium-speed compression (fabric softener for one’s voice)
- Super-slow attack compression to tame the more extreme peaks
- Light de-ess / sibilance reduction (as required)
- using DeEsser from Waves.
- -3 dB True Peak limiting
- using Ozone from iZotope.
In the spirit of reconciliation, I would like to acknowledge the Woi Wurrung & Boonwurrung clans of the Kulin Nation Peoples – Traditional Custodians of the land on which I live and work/am broadcasting from.
I would also like to acknowledge the many other Traditional Custodians of Country throughout Australia and their connections to land, sea, and community. I pay my respects to their Elders; past and present, and extend that respect to all Aboriginal and Torres Strait Islander peoples today.